The King in Yellow Robert W Chambers Yordi Abreu 9781533018489 Books
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A milestone of American supernatural fiction, The King in Yellow created a sensation upon its 1895 publication. Since then, it has markedly influenced writers in the genre, most famously, H. P. Lovecraft. Author Robert W. Chambers has been hailed as a writer of remarkable imaginative powers and the historic link between Edgar Allan Poe and Stephen King.
The King in Yellow Robert W Chambers Yordi Abreu 9781533018489 Books
This review is of the Pushkin Press so-called Deluxe Edition. Sadly, this edition is hopelessly incomplete, and should in no way be described as "deluxe". It is missing the epigrammatic "Cassilda's Song" which appears at the beginning of the original collection, and is the densest source of allusions to (which are sparse enough as it is), and crucial to grasping in however fragmentary a manner, the Carcosa/King in Yellow "mythology" touched on in the first four stories and glancingly referenced elsewhere in Chambers' work. More forgivable, but still puzzling, is the absence of the "non-King in Yellow" stories which rounded out the first edition. These are supposedly irrelevant to what is assumed to be the reader's primary interest, namely the aforementioned "weird" elements, but the volume would still be slim enough (esp. considering the cover price) with these added that it's a little inexplicable that they were excluded. All-in-all, this edition was highly disappointing, and I am annoyed that I had to learn its inadequacies the hard way. I have since purchased the Fall River Press edition, which includes Cassilda's Song, all of the original tales, as well as prolegomena and annotations by S. T. Joshi, which puts the collection in broader literary and historical context.Product details
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Tags : The King in Yellow [Robert W. Chambers, Yordi Abreu] on Amazon.com. *FREE* shipping on qualifying offers. A milestone of American supernatural fiction, The King in Yellow created a sensation upon its 1895 publication. Since then,Robert W. Chambers, Yordi Abreu,The King in Yellow,CreateSpace Independent Publishing Platform,1533018480,General,LITERARY COLLECTIONS General,Literary Collections,Literature: Classics
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The King in Yellow Robert W Chambers Yordi Abreu 9781533018489 Books Reviews
Classic tales. I only read the first four of the eight, since I was mainly interested in The King in Yellow at the time. The stories are filled with dread and gloom, and it's obvious to see why this man, along with Poe, was such a heavy influence on H.P. Lovecraft. The detail he put into building an alternative reality (future for him, at the time) of the United States, and creating this evil play called The King in Yellow is incredible. The situations and circumstances people find themselves in when encountering this scary play is also intriguing. I recommend these stories to anyone with an interest in horror, gothic fiction, and just great storytelling as a whole. Robert W. Chambers was a great writer.
Understand that this is not a single book. It is a collection of short stories; the first several of which do seem to thread together enough that the first half of the collection feels like a single book. I generally don't read "horror" as a genre as modern horror is more about graphic gore. This however is beautiful, vintage, classic, get goosebumps & make your hair stand up psychological horror with not a drop of bloody gore in sight. The first set of stories are excellent. Some still current, almost trendsetting despite being a hundred years old. That is a feat worthy of 5 stars. The second half, while good; seem more disjointed. This makes that portion less engaging, a little hard to focus on, and somehow even the short stories can't hold my interest long enough to finish them. This means 4 stars only. But its worth getting for the first half alone.
This is a book far ahead of its time. Written and published in the 19th century, it combines fantasy, science fiction and narrative devices such as misdirection, unreliable narrators and the like, even what we would now call "metafiction." In addition to being fascinating as an historical document it's a great book on it's own. It is not a novel, exactly, but a series of interrelated stories, though the tone is such that it reads somewhat like a unitary work. To repeat myself, it's fascinating, on many levels. Highly recommended.
this copy (The blue covered one) is incomplete! it left out "The Prophets' Paradise" which ties in details for one of the other stories. It's a shame, the book overall is good but disappointed they left out one of the stories.
This book is good for anyone who likes some good old school literature! If your here because your a fan of Lovecraft one thing to be aware of is this. Chambers was an artist who clearly had a lot of experience in that field. An artist lifestyle is well reflected through the characters in this book. Keep in mind that Chambers includes much more romance and tragic romance than Lovecraft ever did. Furthermore at one point the book drops any notion of cosmic horror completely, and instead focuses on romance.
Just to make it clear, this review is not about the content of the book. I just opened it today and have not read the stories yet.
This version has a terrible layout, with no clear divisions between the stories and a table of contents that doesn't tell you where anything is, and THE ENTIRE THING IS PRINTED IN COMIC SANS. WHY. THIS WAS A DECISION THAT SOMEONE ACTUALLY MADE.
While I am appalled by the choice of font, the format of the layout is really the worst part of this for me. New stories do not start on new pages; they simply start on the next line after the last story ended, and the titles are the same size font as the rest of the text. The titles aren't even bolded or underlined. The only thing that lets you know that they're titles is the fact that they're in all caps, which is easy to miss if you're flipping through the book.
That being said, the quality of the paper is nice enough, so if you want something that probably won't fall apart or rip if you turn the page too quickly, you think Comic Sans is a "fun" font that adds spice to reading, and not knowing where stories start or end sounds exciting, perhaps this is the version of the book for you.
No copyright page. No information on the cover art. Only copyright is a printing date (April 3, 2018, two whole days before I received the book in the mail.)
I’ve got nothing against Print-On-Demand...it’s frankly amazing that this is even a thing. But I have a huge problem with nowhere in the book does it state that it was first published in 1895, which is hugely relevant to its fame. I also wonder if they simply pirated and stole the cover art, as no copyright or illustrator credit is provided for that.
Do not support this publisher. There are other sources who know how to honor the artists and authors whose work they are so cheaply flogging.
This review is of the Pushkin Press so-called Deluxe Edition. Sadly, this edition is hopelessly incomplete, and should in no way be described as "deluxe". It is missing the epigrammatic "Cassilda's Song" which appears at the beginning of the original collection, and is the densest source of allusions to (which are sparse enough as it is), and crucial to grasping in however fragmentary a manner, the Carcosa/King in Yellow "mythology" touched on in the first four stories and glancingly referenced elsewhere in Chambers' work. More forgivable, but still puzzling, is the absence of the "non-King in Yellow" stories which rounded out the first edition. These are supposedly irrelevant to what is assumed to be the reader's primary interest, namely the aforementioned "weird" elements, but the volume would still be slim enough (esp. considering the cover price) with these added that it's a little inexplicable that they were excluded. All-in-all, this edition was highly disappointing, and I am annoyed that I had to learn its inadequacies the hard way. I have since purchased the Fall River Press edition, which includes Cassilda's Song, all of the original tales, as well as prolegomena and annotations by S. T. Joshi, which puts the collection in broader literary and historical context.
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